Friday, September 30, 2011

Writing Prompt Three: Dottie

Another writing prompt. This one I struggled with and I think the story is a little silly, but I don’t have the energy to write/think of another and I want to do them all, to complete the full thirteen prompts, as tempted as I was to just ignore this one. Historical figures are not my forte and so I did cheat slightly – I’m not sure she really falls under “historical”.

My mother never thought I’d amount to anything. It’s not really expected, you see, for imps to amount to anything, so my mother’s attitude was not unreasonable. I, however, had other ideas and from when I was knee-high to a flea and scribbling poems in my tiny imp diary, knew that I’d prove her wrong. My goal – to use a human to take me to greatness, even if it was unrecognised greatness, my mum would know it was me, and that’s what mattered.

Imps are, essentially, set on this earth to be, well, impish. We were of the New Jersey Imps, a particularly good breed, if I may say so myself, known for impishness pertaining most often to baking. That cake that flopped in the middle and tasted soapy? Probably one of my uncles, swapping the baking powder for washing powder. Not that we were only into baking, we did the common garden imp stuff like hide one sock behind the couch too. I, however, wanted more.

Luckily, I grew up under the floorboards of a Manhattan apartment lived in by the Rothschild’s, a family prone to tragedy with a daughter who they referred to as “difficult”, Dorothy. She was indeed difficult, but I knew I could make her clever and witty and so I moved in, just behind her right ear and started reciting my poetry to her. She wrote them down, my poems, thinking they were hers.

As she grew into a feisty woman, I started giving her my one-liners too, and watched how people laughed and called her “ascerbic”. She got our poems published, we ran with an artistic crowd, she fell in love, over and over, married three times (I can’t claim that as my doing, I was the poetry, the wit, she was the passionate lover.)

I also can’t claim to be responsible for her political aspirations or views, imps are just not into politics. I could’ve done without having to be arrested with her that day in Boston but there you have it: the joys of being an invisible imp behind a famous person’s ear.

Also, I tried so very hard to make her happy. I thought my funny, witty one-liners would perk her up and that our poems, despite them not being of a frivolous nature, would make her smile, but she was a dark soul and the drinking didn’t help. All through those suicide attempts I was fearful, and sad, and became inspired by it in my (her) poetry.

I got her notoriety though, and recognition, and almost an Oscar, twice, and, most importantly, I showed my mother that I could (under cover) make something of myself, despite being a tiny, invisible imp behind somebody’s ear.

If wild my breast and sore my pride,
I bask in dreams of suicide,
If cool my heart and high my head
I think "How lucky are the dead."

Dorothy Parker


Prompt 3: Choose your favorite historical figure and imagine if he/she had been led to greatness by the promptings of an invisible imp living behind his or her right ear. Write a story from the point of view of this creature. Where did it come from? What are its goals? Use research to make your story as accurate as possible.

Thursday, September 29, 2011

Writing Prompt Two: The lake

Further to my writing block deblocker challenge, here’s my second attempt. The city has again wrapped its little fingers around me and is leaving me feeling slightly deflated or, rather, paralysed when it comes to writing. Here goes:

It was one of those grey days that wraps itself around you like a damp shawl. The mist hovered over the lake and twirled amongst the bulrushes around its edges. Next to the path the trees rustled and whispered to each other, telling the secrets of the night before in the early morning coolth. It was strangely quiet and perfectly still, as if even the birds had burrowed back into their nests on seeing the chilled mist.

The man walking along the path looked young, but wasn’t. He walked slowly, struggling slightly with two plastic bags from a grocery shop in town filled with something heavy. Around his neck hung four brightly-coloured ropes that made him look as if he were about to be part of something fun. But he wasn’t.

He walked out along the wooden jetty where he’d fished as a child, the worn planks familiar beneath his feet, and sat down at the end, his legs splayed in front of him, the heavy bags between them. Threading the ropes through the plastic bags he sighed, an exhalation of pure relief that joined the swirling mist.

Once the bags were tied, firmly but not too tightly, he stood up and shuffled awkwardly to the edge of the jetty and looked down into the clear water while inhaling the earthy smell of the tiny gardens of moss on the jetty’s edge. He looked up, smiled, and stepped off, sinking rapidly to the muddy floor where he rested, still smiling and looked up through the water, watching his air bubbles rise, to see a milky sun pushing its arms through the mist, turning it golden.

As the sun poked through, the dull cries of the hadedas interrupted the stillness as they called their morning greetings to each other.


Prompt 2: Write a short scene set at a lake, with trees and shit. Throw some birds in there, too.

Tuesday, September 27, 2011

Homemaking for the Down-at-Heart

There’s something really comfortable about reading a book that’s set in your home town. Finuala Dowling’s Homemaking for the Down-at-Heart is exactly that – comfortable. I read it in a day, and was sad when it was finished because I really liked the characters and I wanted to interact with them more.

You see, they’re real and believable and imperfect, like us all. And they’re living in my world, well, just down the road from my world, but in places that are familiar and doing things that are equally as familiar and flowing between happy and sad and disinterested and guilty-for-being-disinterested and tired and productive and just-bloody-getting-on-with-it, determinedly.

It’s essentially a book about a late-night radio presenter who is an ex-wife to a serial-cheating, unhappy and unfulfilled, pseudo-comedian; a mother to a daughter entering adolescence with an imagination that’ll save her (my favourite character); a daughter to her mother who’s falling into the heart-breaking clutches of dementia; a girlfriend to a guy with a surprising character not shown by his shell; and a landlady to an alcoholic friend who’s a psychic and a dreamer.

It’s written from all of their perspectives, with snippets from her mother’s guide to living, which includes the philosophy that a house must have dirt and mess to be lived in and loved. It also documents her mother’s decline into dementia and the messiness and disappointment and frustration that this devastating disease causes. But it’s not a depressing book about dementia, its real and raw and honest and about life and living it, mainly from the lead character’s perspective.

What I’d really love to do is invite all the characters over to my messy house and drink wine with them and discuss, honestly, the messiness of life as we know it.

Saturday, September 24, 2011

Soul music on a Saturday

Is there anything better than putting headphones on and feeling music coursing through your blood, through every cell of your body to each nerve ending, a soundtrack to life. The magic of hearing a song that makes your heart contract and your stomach do a somersault. I love it.

While in that magic place in the Karoo, the place where my heart swells-to-bursting, I heard a new band sing a new song (well, new to me) and loved it. I thought of them this week and did a bit of YouTubing, as one does. Yet again, the magic of the place followed me, throwing out this video, pumping hearts and all (headphones, top volume necessary. Feel it):



The complete joy of the song made me get G to drive with me, miles and miles through the blastedly depressing factory lands to get to the only place that had the only one of the CDs left in The City Beneath the Mountain and drive back, music blaring, windows open to our first Summer day's heat, and smile the smile of one who's found some music that hits the soul in one fell swoop. And there, in amongst it all, another song with perfect lyrics for my ever-expanding life soundtrack.




And then to our other ally, who came with us, for a cooling beer, where we drank the last bottle of that spring water brew from that magical place and began some serious plotting to get back there. Perfect Saturday afternoon of sunshine and magic and music to keep the deep red blood flowing through a strongly-beating heart with bass to kill for.

Friday, September 23, 2011

Pavement conversations

It's one of those streets where The Beautiful People hang out, seeing, being seen, strutting. We were just passing along it, on our way between food and movie, when we heard G's name being called from across the road, an old university friend of hers. Introductions, hand-shaking, behind a sun-aged face, deep beneath a life-filled-with-stories, kind but desperate eyes. I could see he'd been good-looking, once upon a time, in a place far away from this.

We walked together along the narrow pavement, dodging the open drain on the right, careful not to fall off the ledge on the left, into the 5-o'clock traffic filled with irate people in their tin can cars hurrying home to their suburban lives. I listened to their conversation, one of those catching up after ten years, skimming the surface, and watched his skinny frame as he nervously rubbed his hands together.

He lives on the mountain, in the mountain and was on his way into town to beg. He's been their for six months and says he always knew it was where he'd land. "I'm bipolar and an addict." Straight-forward, simple, the facts, laid bare like a slaughtered pig on the narrow pavement.

We separated at the corner, us to go further down the road into a warm, delicious-smelling little Italian place for dinner, him further into the city. He asked for money, I couldn't say no, and as we handed it to him I saw the monster behind him grin and rub its hands in glee, a dark alley filled with smacked up grins. I wish I'd given him food.

Thursday, September 22, 2011

Skoonheid

I was left speechless by it. This, as you can imagine, does not happen often. Not only my being speechless, but a movie leaving me so. Skoonheid, a South African movie about a conservative Afrikaans man trapped in his conservative life. We stayed until all the credits had rolled and the lights were up. Speechless.

There is a generation of South African men who went to the army at 17 or 18 and saw and did things that no person should see or do, ever, let alone at that impressionable age. South African society (or a certain section of it), too, is known for its stoic conservatism. Men are men - they don't cry, the don't talk about things, they bring home the bread and protect their families and watch rugby and drink beer.

Skoonheid is about one such man, living "The Dream" in a conservative South African town - he has the wife, two daughters, a successful business, everything society expects from him. Only problem is that he is a closetted gay man who sees in one of his friend's young, beautiful son, something he wants. It is shot incredibly slowly, with minimal dialogue and a couple of toe-curlingly devastating scenes. The mindfuck comes in that you feel (or I did) sympathy for this man, even in a scene of such utter violence that you feel physically ill.

It is brilliant in its social commentary, the search for that abstract and fleeting beauty of youth, the danger of keeping it all in, the flaws in our society, laid bare. It being South African, it was all too familiar and that, I think, was why I was speechless. He could be my next door neighbour.

Wednesday, September 21, 2011

Jumping in, heart beating wildly

I had a friend at university who was scared of everything, from tasting anything she didn’t recognise to throwing herself into love and everything in-between. I often wonder now, where she is with that.

My mother forced taught us as children that we were never to turn our noses up at food, until we’d tasted it. I am eternally grateful to her for that and have tried to put that philosophy in place with everything I do – from food, to visiting places to reading books to falling in love, and by falling in love I mean not only with lovers, but friends, places, things, all of it.

I live in fear of not doing things and gaining no experience. This has, of course, at times put me in line for looking like a fool, for heartbreak, for silliness, but I figure it’s all been for a good cause. Where would I be if I hadn’t thrown myself into the midst of a Spanish protest or into the arms of an unsuitable suitor? Somewhere else, that’s where. Somewhere with fewer stories, fewer scars on my heart that make it beat more breathily and with more urgency.

Because, yes, for sure, my heart still breaks at the thought of some of those loves – my first, the one that was never resolved, the one that I never actually met but had a deeper connection with than I have ever experienced who turned out to be married, the years-ago one that could never be – they all add up into the life force that runs through me and makes me believe, completely, that the heart break is worth it. And that kissing a wizard in a dark night club and going to places that make the heart swell and driving out into the open spaces is what makes the world go around and the stories sprout. Each experience a beautiful, magical thing.

So here’s to remembering this and keeping on falling in love with people, places, the world. Here’s to jumping in, arms flailing, heart in your hands… into the free-fall of life.