Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, September 3, 2012

Searching for Sugar Man

"He poured petrol over himself and set himself alight on stage."

That was one of the rumours of what happened to Rodriguez, explaining away why we never heard anything about him, despite his haunting music, his beautiful, sometimes political, always meaningful, lyrics. He was the soundtrack to thousands of South African teenage years, from the 70's right through until the 90's, when I was a teenager, and perhaps still. I don't have teenagers, so I can't be sure. We all thought he was recognised worldwide, being from America and all. Apparently not.

One lover of his music made it his mission to find the real story and the movie documents it. He tries to find out who was behind Rodriguez, where he lived, who he was and, in doing so finds many dead ends, a record label who say they 'sold six of his first album in the States.' It's estimated that half a million have been sold in South Africa, thus far. Nobody in the States seemed to know about it, nobody knew where the money went.

And then, they found his daughter. And him. Alive and still working as a construction worker, living in an old decrepit house in Detroit - a city which just looks desolate and slightly hopeless - and he shines. It's as if he's from another world. An absolutely beautiful man, with a voice that makes your blood feel like honey, he's old now but, even in the film, he still shines.

It's hard to put into words exactly what it is about him, he's just so gentle and unassuming and I won't spoil the movie by talking about the end of it because it needs to be watched to be believed. I cried and cried, big, hot, heavy tears, not because it's tragic, it's just so... emotional. See? Struggling to string a proper sentence together about it, to write something that does it justice.

Wednesday, March 21, 2012

Drive

I have been developing a growing fondness for Ryan Gosling. After watching Drive this morning, it has turned into a full-blown crush of teenage proportions. Gorily violent, a description which would normally put me off a film, this one was brilliant. I loved it. There is a lot of silence, some slow mo, a fabulous soundtrack and... Ryan Gosling. Sigh.

I am always astounded when I love movies like this. I'm not a fan of violence, especially gratuitous violence. This violence is so close to sex that it is unnerving. I'm not even sure that I can quantify that statement because it sounds wrong but it is not meant to. It's a violence entrenched in passion. Like Tarantino does violence. It's graphic, though. Really, really graphic - heads get blown off, blood spurts, jugulars get spliced open. I found myself closing my eyes, hiding behind my arm, in places but only momentarily, because the compulsion to look back was overwhelming.

Beautifully entwined is an electric love between two people that positively crackles on the screen and the one, very short, moment of passion between them turned my insides liquid. I was incredibly impressed by its beauty, its unexpectedness. Kissing scenes in movies are so often ridiculously contrived and the same thing is done, over and over, ad nauseum. This one - amazing - and followed by intense violence, again.

It's pretty obvious that my mind is a muddle after watching this movie. One thing is for sure - I'll be playing it over in my mind for a good, long, time. And finding the soundtrack. And carving Ryan Gosling's name into my desk at work. Oops, that's not 'one thing for sure' is it? Make that three.

http://youtu.be/-DSVDcw6iW8

Thursday, December 15, 2011

Yoohoo

I did it. I wrote 50 000 words in a month. I have to admit that they're not brilliant words, I have not written the next amazing South African novel, not by a far shot, but I wrote fifty thousand words in a row, to make a story. There will be no awards for this one, or any other I write after, but I did it. 50 000 words. In a row.

And now I'm exhausted, but I've missed being here. Mostly I miss Candy Sandwich's amazing adventures; I missed Livvy coming back, beautifully; Kitty admitting the painful truth, heart-breakingling (Precious Things, that's it for you, Kitty); Miranda, Tamara, Geli, I wait; Family Affairs, I long for you to be able to write freely again; and so, so, much more. I have words bubbling up again, though.

I'm back, as much as I can be. I'm waking up. A new year is beckoning, there will be things going on.

In the meantime I watched some Cape Town schmodels mingle with two Catholic priests, like something out of a ridiculously fabulous Tim Burton story. I'm back, I hope. I have a new soundtrack. It makes the words line up, a good soundtrack.

Monday, November 21, 2011

Tori Amos

A moment’s respite here in my little corner, which seems fabulously comfy when I face the last 15 000 words of NaNoWriMo. I hit a hump last week but luckily escaped to the countryside over the weekend and caught up. I fear the second half of the novel is really, really bad (as opposed to the first half, which is just bad) but I’m feeling inordinately proud of myself for pushing through. I must just not speak too soon. It’s far from over yet.

Last week we went to watch Tori Amos in concert. I have loved Tori Amos since she first appeared on the scene: I desired her red hair and many of my teenage relationships, and more importantly and aptly with her music, break-ups, were set to a soundtrack which featured her songs prominently. In fact, scrap the ‘teenage’ bit of that. Show me a good break-up since forever and I’ll match a Tori song to it. Not only break-ups, though, I love her music for its raw beauty, the piano, her voice, happy parts of my life include Tori Amos tracks too. You can see why seeing her live was such a thrill…

It is seldom that one can say that a person’s live performance is better than the CD. Tori Amos is. We, along with the biggest number of red-headed women I think I’ve ever seen in one place, and a large smattering of gay men, were enthralled by her voice, her piano playing (two, at one time!) I shed tears and, by the looks of some people after the concert, many people bawled. She is emotive, her voice is as raw as her lyrics. Incredible.

Just one thing saddened me. She is plastic-surgeried to the point of actually looking puffy. Botox? Collagen? Whatever. It makes me sad to think that someone so incredibly talented, who writes such real lyrics and puts them to music that can turn a thousand-strong audience into a gushing mass of emotion, should feel the need to “fix” themselves so.

My fandom, however, was only marginally minimised by this, as she sang ‘Precious Things’ and literally sent tingles coursing down my spine. The woman is a musical genius.

Wednesday, October 26, 2011

Gift horses

It's a funny story really, how it came about that I am about to head off to that beautiful stadium down by the sea, beneath the mountain. After going to watch Coldplay there, exactly three weeks ago, and swearing never to go to a big concert again, here I sit, about to go back.

I love Coldplay. I love the stadium. But a whole bunch of factors twisted and angered themselves together to turn it into one Big Bad Experience, despite there being all sorts of reasons for it to have should have been a great night. What an awkward sentence, what an awkward, cold, disorganised night it was. Honestly, the sound was so bad that it was hard to discern which song they were playing, when. And it was cold.

I'm a good consumer, though, and I complained. Bitterly. To everyone involved in the organisation of the concert. Result? Free tickets to go and see Kings of Leon, tonight. So off we go, G and I, never being able to look a gift horse in the mouth (thanks, Miranda, for the teachings on the origins of that funny saying), we are off to the stadium for the second time in three weeks.

I thank Miranda for her teachings because, yesterday on Stalkbook I said something about the tickets in my status update about said tickets, followed by the comment:

I'm also now going to spend a productive day researching the origin of "Never look a gift horse in the mouth" because 1. WTF is a gift horse? and 2. why would you look it in the mouth in the first (or second for that matter) place and 3. if you decided you wanted to, what would be the harm? Would the gift horse lick your eyeballs or gnaw on your eyebrows?

And the lovely Miranda explained:

‎1. A gift horse is a horse that has been given to you as a gift. 2. You look at its teeth to see how old it is (long teeth = old horse. As in 'ooh he's a bit long in the tooth') 3. As our mothers told us, Its just rude, really to see if the gift you've been given is a dud, as opposed to a stud. And also horse slobber is disgusting.

And now we all know.

Wednesday, October 12, 2011

Pearl Jam

I found it strange that we were amongst the few women in the cinema. Groups of men kept arriving. I’d had fun in the foyer with G, guessing who would come into our cinema and who was going to see “The Smurfs” or “Friends with Benefits” or the other mainstream offerings. Yes, I was being a movie-snob.

The ratio of men:women was about 6:1. I mentioned this to a male friend on Stalkbook and asked why he thought it so. His reply? “Because chicks generally have appalling taste in music. There, I said it!” I could only snort in derision and make a derisory (is that a word?) comment. I’ll tell you what it was at the end.

Being more an art nouveau kind of movie watcher I’d forgotten that the mainstream cinemas have enormous screens, so huge I wanted to squeal with delight. I waited until the movie started, though, before letting out a discreet squeal. Pearl Jam Twenty, one of only two screenings here – a commemorative documentary of this band that I have loved since, well, they began!

It’s a visual and aural whirlwind. I cried, I smiled, my heart soared with their story, which I hadn’t realised has many heartbreaking twists in it. The sound in the cinema was superb, filling the room and climbing right into my soul. I’m not a huge fan of their really heavy stuff but there, in that dark room, on that enormous screen, it was perfect.

And then there’s Eddie Vedder. Swoon. Double swoon. And his voice that trickles at first and then gushes through me. If I were to have to describe sex in sound I would say, simply: Eddie Vedder. And then there is the rest of the band, each one a genius in their own right. The guitarist that seems to just fly through those riffs, the bassist who always just looks happy, and they all seem to have so much fun!

I left the cinema feeling like I’d been thrown back into my youth, the energy coursing through me, the music filling my head, Eddie talking to me. We stayed until the last credit had rolled. I was interested in the fact that there was a Bootlegologist mentioned. I think I’d like to have that title.

So, in answering my Stalkbook friend’s reply, I said: “I fully expected an answer of that calibre. There, I said it. Of course, being a chick and all, I was not there to appreciate anything about the music. I was purely there to look at Eddie Vedder’s arse.”

I failed to mention the fact that, lyrically and musically, Pearl Jam is one of my ultimate favourite bands and Eddie Vedder’s oh-so-beautiful arse and face and lips and…, just make the whole deal so much sweeter.

Saturday, September 24, 2011

Soul music on a Saturday

Is there anything better than putting headphones on and feeling music coursing through your blood, through every cell of your body to each nerve ending, a soundtrack to life. The magic of hearing a song that makes your heart contract and your stomach do a somersault. I love it.

While in that magic place in the Karoo, the place where my heart swells-to-bursting, I heard a new band sing a new song (well, new to me) and loved it. I thought of them this week and did a bit of YouTubing, as one does. Yet again, the magic of the place followed me, throwing out this video, pumping hearts and all (headphones, top volume necessary. Feel it):



The complete joy of the song made me get G to drive with me, miles and miles through the blastedly depressing factory lands to get to the only place that had the only one of the CDs left in The City Beneath the Mountain and drive back, music blaring, windows open to our first Summer day's heat, and smile the smile of one who's found some music that hits the soul in one fell swoop. And there, in amongst it all, another song with perfect lyrics for my ever-expanding life soundtrack.




And then to our other ally, who came with us, for a cooling beer, where we drank the last bottle of that spring water brew from that magical place and began some serious plotting to get back there. Perfect Saturday afternoon of sunshine and magic and music to keep the deep red blood flowing through a strongly-beating heart with bass to kill for.

Monday, February 7, 2011

Imogen Heap




It’s the kind of place you expect to look up and see little flitterings of light as fairies frolic in the leaves of the enormous ghost gums. In the bottom of the amphitheatre, the stage had a see-through grand piano sitting beneath an old tree which was suspended and strung with fairy lights – in honour of the fairies in the trees I guess. I saw them dancing amongst the lights when she sang a couple of the songs.

I didn’t expect her to sound as she does on her CDs because they all sound very ‘studio’. But she did sound exactly like she does on them. Imogen Heap. I’ve loved her music for years and I couldn’t believe it when I heard she was coming and where she was playing. In a forest, to a tiny audience, indescribable really, but I’ll try.

As the sun set, the sky turned dark blue and the trees stretched above into the starry night. The lights twinkled in the tree above her and she reeled me in. I was transfixed, entranced by her music, her voice went through me, straight into my heart, which clenched at the beauty of it. Sublime, ethereal, and at the same time she’s real, full of stories, funny.

She sings, plays the piano, makes noises with her voice which she replays and sings with, has cymbals, microphones on her wrists, an mbira, a cellist… the list goes on. And she turns it all into music that’ll make the fairies dance.

Now that’s what I call a music concert, all senses prickle and you don’t want it to end. I’m going to be hard-pressed to see a performer that comes close to Imogen Heap. What a pleasure and priviledge to see her perform in such a spectacular setting.

See? Didn’t I say I’m the luckiest girl in the world?

Tuesday, December 7, 2010

I have a crush on a Beach Boy

There were couples dressed in matching Hawaiian outfits, some headband-toting aging hippies and a smattering of youngsters. G and I felt young, being about 30 years younger than the majority of the audience. The place was packed, though, probably 90% full. I was pleasantly surprised. And a nice crowd it was. Very civilised. To be expected, I suppose, with an average age of 65+.

G took me to see The Beach Boys last night, and I loved it. We sat a row behind the front row, so when the old men (only three of the orginals, and three ‘newbies’) doddered on, we could see them very, very, well. They must also be in their late sixties but boy, they can still harmonise beautifully, and it’s hard not to to beam a huge, happy, smile when they’re singing songs of surf and California sun.

While we waited for them to start, I listened to the conversation behind us – three couples all terribly excited about the fact that they were seeing their beloved Beach Boys AND that Neil Diamond is coming soon. I say no more. It was fabulous to be there and get swept up by the excitement.

The band – well – the lead singer, in all his late-60’s glory, still thinks he’s the god’s gift to women so spent a lot of time making eyes at women in the crowd and doing a vaguely disturbing ‘come hither’ pointing finger thing making him look very much like the definitive Dirty Old Man. Then again, looking and listening to the swooning (older) ladies around us, I think he probably could’ve had his way with any number of them! I avidly avoided making eye contact with him but secretly wished I’d taken a pair of (granny?) knickers to throw on stage.

They sang all the favourites, the crowd roared with delight and clapped and wolf-whistled and I’m happy to tell you that one of their new additions is an absolutely gorgeous young fellow who I have fallen head-over-heels in crush with. Yes, I’m the original groupie! Luckily my crush is not one of the old ones. That’d just be weird.

I never thought I’d see Good Vibrations performed live. I’m really glad I did.

There’s nothing wrong with having a crush on a Beach Boy, is there?

Wednesday, November 24, 2010

TDoT(24): Make a playlist to someone, and explain why you chose all the songs. (Just post the titles and artists and letter)

Honestly, these Thirty Days of Truth things are all so serious, it’s exhausting. Therefore, instead of making some soulful list dedicated to a long-lost love/friend I miss/other dramatically tragic character, I am making a Happy Playlist, for everybody who’s had to read/listen to my whines and whinges while doing it. It’s not (quite) over yet but, in the meatime, here’s some fun music for you to wiggle to:

Any number of people – Good Morning Starshine (from Hair)
How can you not start the day smiling with this? I regularly sing it oh-so-tunefully to friends I phone early in the morning.

Katrina and The Waves – I’m Walking on Sunshine
Because it reminds me of the story of my four best University friends singing it for karaoke at a bar in Ireland and that makes me smile. It’ll make you wiggle your bum too.

Violent Femmes – Blister in the Sun
Again, wiggley bum, dance around wildly, stuff.

The Jungle Book People – Bear necesseties
Because I don’t know the difference between bare and bear, but I’m okay with that.

They Might be Giants – Birdhouse in your Soul
My favourite band, my favourite song.

Mr Jones - Counting Crows
Watching somebody else wiggle their bum to this made me smile, broadly. It sticks in my mind.

REM – Shiny Happy People
My second-most fvavourite band (as you know) and the title has ‘Shiny’ in it, therefore it must be fabulous.

Seven. That seems a good number. Oh bugger, I’m supposed to write a letter too.

Dear Readers (both of you),

This is for you, in thanks for your patience while I’ve showered this blog with gushings of truths splattered about with lashings of tragedy and a smidgeon of drama. I hope I haven’t exhausted you as much as I feel exhausted. Just in case, this list is of happy, hoppity, songs. To make you smile and wiggle.

I’m afraid pure, unadulterated, laziness has prevented me from linking to Youtube videos of them. You know me.

With much love,
Shiny x

Monday, May 17, 2010

I'll think of you tonight

I lay there as he cut the back of my neck, my skin dulled with drugs, the radio blaring in the corner, inane twitterings of a radio DJ, adverts for sickly-sweet cooldrinks made to hype up your children and send bursts of caffeine to your heavy brain. The harsh light of the surgery forces its way through my eyelids as I shut them, feeling a pulling and pushing, scalpels, swabs, stitches.

A tinkley song comes onto the radio, stopping the DJ, phew. This sterile place is blocked out. I am in that song, it was written for me, today. I am flung back so fast that it takes my breath away. To my room, the fat, pale moon trails her silvery fingers over my skin, the room glowing.



It takes two to whisper quietly, doesn't it?